I put the rig together for home recording, but I use it for 90% of my home (electric) playing at this point. My most common cabinet is a little Orange PPC108 with a Jensen P8R, which works quite nicely. The Stamp does just fine, and the best part is the various outputs and the FX loop, into which I'll sometimes run a couple of Tech21 or similar pedals for a completely different flavor, but still saving massively on space vs. I actually had a Micro Terror at one point which wouldn't get clean - I mean, an amp should have a setting where it can take a signal from a Telecaster and not overdrive, but that thing wouldn't. It works nicely that way - though there's a point where it starts to break up abruptly and sounds awful, so I steer clear of that. I don't love the dirt, but I use it clean and drenched in reverb. I picked up a Terror Stamp a couple of months ago. They're also nearly the only company who's making analog practice amps anymore, though they do have their faults. I'd love to hear from and chat with other Terror owners.Ĭlick to expand.You'd think, right? But I now use a bunch of their stuff, because the price isn't absurd on the used market and it's built reasonably - including the MIC cabs. And the loop is tube-buffered, I get no volume or tone loss! No EQ? No problem with the addition of a vintage Ibanez GE 10 graphic eq in the loop. It really is the sound of the guitar I'm playing and the channel plays so well with pedals. This one bypasses the tone stack, going straight from preamp to output tubes. But what makes it extra special to me is the 'Natural' channel. It's got the Terror channel, giving me great Rock tones from The Stones to Soundgarden. This is the amp I think Orange should have started with. Two years ago, I got back into the Terror club with a Rocker 15 Terror head. Pushed a little further with a Bad Monkey OD and it got me further into Sabbath and sludgy goodness! BUT, the clean tone absolutely sucked, and in the end it wasn't such a good amp for a pedal junkie like myself. OMG, I was hooked immediately! To me, it was the perfect tone for playing early AC/DC. The Headphone Output works simultaneously with the Speaker Output for maximum versatility.Good day to all! Any Terror owners in the house? I started off with a Tiny Terror about a decade ago. Just the thing for late-night practice with headphones, ‘silent’ recording or running direct to PA. Our tried-and-tested, analogue CabSim circuit provides instant access to a very Orange-flavoured 4×12 speaker emulation. It wouldn’t be the perfect pedal amp without a headphone output. Not only that, but connecting directly to the FX Return turns this little monster into a 20W power amp for whatever pedals, preamps or modellers you can throw at it – with a headphone output too! CABSIM HEADPHONE OUTPUT Fast Free Shipping or Buy Online Pickup In. The Terror Stamp fits right into your signal chain without ever compromising sound quality. Buy your Orange Amplification Terror Stamp 20-Watt Guitar Amp Pedal and get the lowest price at Sam Ash Music. Just like our full-size amps, we’ve given you a fully-buffered, low-impedance FX Loop. Turn anticlockwise for a mid-forward voicing or clockwise for a classic scoop. ![]() Our exclusive Shape knob crams a whole load of character and control into a single dial. Jump right out of the mix for that all-important solo, without sacrificing your carefully crafted tone. SWITCHABLE MASTER VOLUMEįootswitchable Master Volume controls give you the Terror Stamp’s full range of sounds at two different volumes. From crystal-clean to thundering high-gain, the ECC83 (12AX7)-based preamp has all the harmonics, dynamics and feel you’d expect, while the 20W Class AB Solid State power amp keeps things small, dependable and sounding great at any volume. The Terror Stamp’s hybrid Valve/Solid State design gives you the best of both worlds. Typically-Orange simplicity, unmistakably-Orange tone. The Terror Stamp is based on the Micro Dark with a few minor tweaks to the gain structure and the CabSim, with the added feature of being able to set up two volume levels and switch between them. The Terror Stamp’s tiny footprint, 8/16 Ohm Speaker Output, fully-buffered FX Loop and CabSim headphone output integrate seamlessly with your other pedals, whether you’re rocking a loud stage, recording direct or practising into the early hours. Packing all of the punch of the minuscule Micro Terror and Micro Dark amps into an even smaller pedal format, this Valve/Solid State hybrid amp brings 20 Watts of killer Orange tone right onto your pedalboard. Taking our pocket-sized powerhouse concept one step further, we’ve brought you the Terror Stamp. For years, our Terror series amps have proven that the biggest sounds can come in the tiniest packages.
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